Madrid, Paris & Rome

Life in Madrid is centered around talking, toasting and tapas-eating. In a walk through this crowded and social city, your Tour Director will help you get to know the lay of the land. Then stroll over to the Puerta del Sol, the bustling city center. Next, you'll relax at the Plaza Mayor, a grand square where every sort of human drama has taken place-trails of faith, public burnings of heretics, royal marriages, the canonization of saints and countless balls and bullfights. End at the Plaza de España for a stop at an outdoor café.

Visit the Museo del Prado, home of works by Spain's great masters, including Francisco Goya, Diego Velázquez, and El Greco. Please note that on some occassions the Prado could be substituted for the Reina Sofia Museum, featuring works from Pablo Picasso and Salvador Dalí amoung others.

Take a taste of Spain's cultural, political, and economic center with a tour led by a licensed local guide. See Madrid's mix of traditional and modern as you visit the Royal Palace, an 18th-century masterpiece. The enormous Baroque palace currently has more rooms (2,800) than any other European palace, but it was originally supposed to be four times as large. The palace is dripping with porcelain, jeweled clocks, amazing ceiling frescoes — the most magnificent, in the Throne Room, was done by the Venetian artist Tiepolo when he was in his seventies. Next take a look at the Neoclassical architecture of the Prado Museum and the Puerta de Alcala triumphal arch, built to honor Carlos III’s entry into Spain.

This city was made for walking. Stroll grand boulevards with sweeping views of the city, pristine parks with trees planted in perfect rows, and narrow streets crowded with vendors selling flowers, pastries and cheese. Then head to the Île de la Cité, a small island in the Seine, to see Notre Dame Cathedral. Look up at the great stone buttresses, grotesque gargoyles, and massive stained-glass windows.

Visit one of the original college towns. Since the Sorbonne’s founding in the 1100s, the Left Bank has attracted not only intellectuals but also the cafés, bookstores, and cinemas that tend to accompany them. It’s also attracted its fair share of famous residents – a plaque marks one of Hemingway’s apartments on rue du Cardinal-Lemoine, and the imposing neoclassical Panthéon holds the tombs of Voltaire, Rousseau, Victor Hugo, and Marie Curie.

What's that huge white arch at the end of the Champs-Élysées? The Arc de Triomphe, commissioned by Napoleon in 1806 after his victory at Austerlitz. Your licensed local guide will elaborate on this, and other Parisian landmarks. See some of the most famous sites, including the ornate, 19th-century Opera, the Presidential residence, the ultra-chic shops of the Rue du Faubourg St-Honoré, and the gardens of the Tuileries. You'll pass the Place de la Concorde, where in the center you’ll find the Obelisk of Luxor, a gift from Egypt in 1836, and the Place Vendôme, a huge square surrounded by 17th-century buildings. Spot chic locals (and tons of tourists) strolling the Champs-Élysées. Look up at the iron girders of the Eiffel Tower, built for the 1889 World's Fair to commemorate the centenary of the French Revolution. See Les Invalides (a refuge for war wounded), the École Militaire (Napoleon's alma mater), and the Conciergerie (the prison where Marie Antoinette was kept during the French Revolution).

See the city from the water on an hour-long cruise along the River Seine. The Seine cuts right through Paris, dividing the city in half. See the Eiffel tower rising up on the Left Bank, the walls of the Louvre on the Right Bank. A guide will point out other monuments and architectural marvels as you pass, many of which are illuminated by clear white light at night.

The world's largest art museum, the Louvre is housed in a medieval fortress-turned-castle so grand it's worth a tour itself. You walk through the 71-foot glass pyramid designed by I.M. Pei and added in 1989, and step into another world-one with carved ceilings, deep-set windows, and so many architectural details, you could spend a week just admiring the rooms. But check out the art on the walls. The Mona Lisa is here, as well as the Venus de Milo and Winged Victory (the headless statue, circa 200 BC, discovered at Samothrace). The Louvre has seven different departments of paintings, prints, drawings, sculptures and antiquities. Don't miss the Egyptian collection, complete with creepy sarcophagi, or the collection of Greek ceramics, one of the largest in the world. (Please note the Louvre is closed on Tuesdays.)

The ultimate symbol of ancient Rome, the Colosseum still dominates the modern city. Tour the amphitheater with your local licensed guide. Built by the emperor Vespasian in A.D. 72, the structure held almost 50,000 spectators but was so well organized that the entire place could be emptied within 15 minutes. Inside, the spectacles varied from gladiator battles to immense naval contests that required the flooding of the amphitheater to wild beast shows, in which thousands of exotic animals like giraffes and ostriches were popped into the stadium through trap doors and left to fight Roman hunters. See the system beneath the floor that operated the trap doors and housed the animals, then continue on to the relative calm of the Forum. Rome’s commercial, religious, and political center, the Forum held markets, temples, and the Senate House. Near the Rostra, or speaker’s platform, you can still see game boards scratched into the marble by bored politicians -- anyone up for a game of tic tac toe?

Don a state-of-the-art headset for a space-age tour of St. Peter’s Basilica with a licensed local guide. Outside the church, four rows of columns radiate out like welcoming arms (if you stand on the circles marked on the ground, the rows will line up and look like a single row); inside, the church seems enormous enough to embrace the entire world. The dome, partially designed by Michelangelo, rises 452 feet above the ground. Michelangelo’s mark is everywhere here, from the costumes worn by the Swiss Guards to his exquisite “Pietà” sculpture (the only sculpture he ever signed -- look for his name carved into the Madonna’s sash) to the amazing frescoes of the Sistine Chapel. Because he considered himself a sculptor and not a painter, Michelangelo hated working on these paintings, now considered masterpieces.